Dressed in a yellow – orange sari, she was somewhat short, but her countenance provided the shock, for it was not desi, but a local lassie. You see, just before the performance, we were eating a desi dinner served by the organizers and as we were standing among the many well attired mamis, behens, confused looking young papas with wailing kids, munching the puris and chana and slurping on the jamuns, a well attired girl walked by, immediately drawing my gaze, as such an event usually would. I was pleasantly surprised when I read her bio and saw that she had studied not just Bharata Natayam but also Kathak, Odissi, African, Hawaiian, Tahitian, Middle Eastern, Flamenco and Samba dance forms and had been performing around the world. Before I get to that part of the story and around it, I must tell you that the girl who played that part and got the loudest applause was Bethanie Mickles, a young attorney and a dance + music artist. That ‘something’ was the character of Surpanakha, the much reviled character depicted in many a Ramayana version as an ogress, foul mouthed, hoarse voiced, one with coppery hair, amply endowed on the upper deck and capable of changing forms at will.
But then again, this is not a review of the session, but something else that got my mind going. The Stone theater was houseful and the ambiance at UNC great. Great performances, nice singing and commentary from the background, we were provided a treat of the essence of the Ramayana story. The other day we went and saw a nice dance drama at UNC Chapel Hill called Sitayana, wherein a colleague acted as Urmila and a friend acted as Hanuman.
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